the last offer in 2014 on public possession is at the same time the first on what is a project we are very happy with: the collaboration between tiagos label interzona 13 and our pp imprint. catalogue number pp-inza-01 is the outcome of a process in which musical material was switched back and forth between tiago and tambien.

limited 2014 repress
few djs and producers have credentials quite like sammy dees. a longtime fixtureof berlins club scene, a cornerstone of the esteemed perlon imprint and a regular djand panorama bar and club der visionaere, his taste and signature style couldhardly be more well-­&#8208,,,,,honed. earlier this year, he created a new platform for hisunique take on house and techno: ultrastretch, a label that hit the ground runningwith a 12-­&#8208,,,,,inch by matthew burton. slick, modern and touched with surrealism, therecord had all of the unique flavor one would expect from a label by sammy, provinghis skills as a selector extend well beyond the dj booth. ultrastretchs second release lives up to the same high standard. much like matthew burton, seuil is a highly imaginative producer whos kept a low profile despite astring of excellent records. based in paris, his lean and funky sound has placed himat the forefront of his citys reemerging party scene. many of his past releases havebeen punchy but subtle, balancing dance floor utility with an ear for restraint. on >oamer< he goes even deeper than usual, crafting a vivid afterhours track out ofhypnotic drums and bleary-­&#8208,,,,,eyed chords—nervous one moment, euphoric the next.like its title suggests, >dark rooms< is a clubbier affair, charging ahead withfragmented vocals and a brisk driving rhythm. this is one to put on as the nightturns serious. for the final track, sammy brings in an old friend: baby ford, one of germanys finest purveyors of skeletal, ultra-­&#8208,,,,,deep electronics. his remix of >oamer< expands on the originals dreamy side, with sanguine chords and abstract imagerylayered over a crisp bass drum. aimed at the dj and the connoisseur, oamer is one of the classiest records of the year so far, from one of its finest new labels.

ndatl cntinues with future talent stefan ringer aka rekchampa. after a chance meeting he submitted *the fix* and the rest is the present! featured at last years ndatls annual deepdetroit party *the fix* was a highlight. the unique chord structure & shuffling drums keep the crowd enthralled until the break that will make you remember *the fix*. stefans diversity is further shown in the quirky downtempo duet with vocalist afua. the flip features the sexy aggressiveness of *meagangood* inspired by the beauty of the same name. *mym* debuted on kai alcés seminal boiler room set in london. this midtempo lets u know by the end of the groove you will be his. *transitions* wraps up this eclectic ep with sleazy cords & quasimoto styled vocals and just enough bump!

• irelands chief ambassador for the nastier side of techno hits hard with a new four tracker on this prestigous label • very limited white vinyl
sunil sharpe is ireland s chief ambassador for the nastier side of techno, sonically on a sharp upward (downward?) trajectory since the actual 90s and frequently mentioned in the same sentences, promotional material, and internet blog postings as words like surgeon, truss, karenn plus other assorted terms that mean a great deal to those in the know.
dj support from: ben sims, blawan, truss, norman nodge, and, lakker, rebekah, clouds, randomer, bas mooy, j. tijn, svreca, manni dee, mr jones, marcel heese, ontal, minimum syndicat, dave tarrida, lag, tomohiko sagae, bleaching agent, martyn hare, anfs, mike darkfloor

home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working, with every ep released upfront on vinyl-only terms and produced exclusively on analogue equipment. this time franck collaborate with one of the french house hero in the parisian scene today and also label boss of bass culture, resident dj at the famous rex club…this guy needs no introductions, please make some noise for mister d julz. franck and julien are living in the same district in paris and sometimes talked about doing a collaboration, see what can come thru few moments spend in the studio, mixing their own influences of todays vision of house music, they finally took their time to come with 3 brand new tracks that comes from pick time stuff ( cityzoo) to deep and dubby vibe on * dubwize* or even the very old school chicagoan * in the rush*.. this ep will surely please most of the real house music lovers from the past and today

for a long time, vidal benjamin has been getting up early at the weekends. whether alone or in company, he digs his hands into various crates at record fairs, flea markets or in empty attics, to uncover records that have long been forgotten, ignored or even despised. among the small circle of parisian diggers, his reputation precedes him: it is he who finds and it is he who shares. it is not unusual that in his wake, one finds a certain record long lost, left behind as a special gift from vidal. he likes to share so that others may discover. and it is for that same reason that he regularly sleeps late, playing records in clubs at night, where he follows a similar path: altruistic, educational and festive. it’s no surprise, then, that his first compilation goes by the fitting title of disco sympathie.

the third release from wavefreform again comes to us from the east, and this time around it marks a reformation of sound for both the label and the artist. half of the long-running georgian duo greenbeam & leon, boyd schidt is a producer with over a decade of work already under his belt whose first releases emerged in 2007. as a solo artist, his career dates to 2010 with digital releases on georgia’s front rec, fvf records, and emote music, and a track on the new vinyl compilation from studio r°. with the hard, broken kick pattern, elevated tempo, and nods to electro, the a-side ‘phantom’, a collaboration with subex, is a change of pace for the artist and the hardest thing yet to emerge from wavereform. dubwise use of effects shows the same hands still at work, but the sound elements, granulated blasts of static and drop-based structure of the track hold strong parallels to the rejuvenated techno sound currently emerging from the uk. the b-side, ‘structure’, recalls the previous work of the artist: subtle, building dub techno rich in detail and with the dancefloor firmly in mind. there is clear experience at work here with his deliberate deployment and manipulation of elements as the track struts along while enveloping the listener in its smaller details. as it pauses and takes an extended breakdown, the details rush forwards, but it finds renewed force to power itself to the close. coming in this case from an established producer with a long history, this kind of control is not surprising, but it is more indication of the riches of the east that have yet to be discovered by audiences worldwide.

f = ma is an hard techno ep, dynamic and pressing both for side a and side b. a two-track ep that was inspired by the physics formula s second law of motion which states that the acceleration of a body is directly proportional and in the same direction of the force acting on it, while it is inversely proportional to its mass . the track on side a, entitled -massa- is a techno track, properly basic, structured on a massive scale, and that is why it was chosen as the track for side a minded for a dance floor set. a piece that starts with decision, full of body and massive , and that is why was named massa. the track on the b side, -accelerazione- is more quite, but another dance track for this great disc. a bit more slender and smooth, with broad- acceleration in a dance floor moment certainly forwarded more than the cervical part of a set, to be spent at the end to throw the disc to the latest beats.

a real thick baseline - a fabulous ep start. of the same title dragon fly comes along with dizzying, but best placed sound effects und a bashing buildup. we love listening to that great sound. neck breaker - not neck breaking but with a most impressive vocal and creative seeded sound expericence. makes us fancy for more like this. and bäms - the ep continues with a track called roll on. quite deep and initiated with a cool vocal - very british - the composition ist a bit more funny - a good mood sound creates an appetite for more. we are hot for the release on stylerockets.

the romanian trio premiesku, who comprise of livio, roby and george g, return this december with the aproape ep, their fourth outing on desolat. those that were there at the beginning of the journey will recognize that premieskus approach remains the same as ever - playful organic experimentation, sometimes groovy, sometimes hypnotic, resulting in eclectic analogue sounds of the finest calibre. the apropape ep is a unique package containing four-vinyl only tracks. buyers will then receive a download code to unlock the additional four tracks. as ever, three perspectives, no rush, no rules, just love for the music.

6 e.p.ii- is the second vinyl e.p. taken from headman/ robi insinna -6- album which was released via relish on the 15th september. e.p.ii includes on side a1 number 9, a2 swing now out dubfeaturing tarafromit rough fame. first track on the b side is called somethingwith vocals by david shawwho just released his first collaboration with jennifer cardinion correspondant. the last track on the b side take me to the top dubfeatures bozzwellaka hiemfrom firm fame. the dub versions are exclusive for the vinyl release. robi s cover design is again in the same line as the whole album project, including the artbook, video and screenprints.

6 e.p.ii is the second vinyl e.p. taken from headman/ robi insinna 6 album which was released via relish on the 15th september. e.p.ii includes on side a1 number 9, a2 swing now out dubfeaturing tarafromit rough fame. first track on the b side is called somethingwith vocals by david shawwho just released his first collaboration with jennifer cardinion correspondant. the last track on the b side take me to the top dubfeatures bozzwellaka hiemfrom firm fame. the dub versions are exclusive for the vinyl release. robis cover design is again in the same line as the whole album project, including the artbook, video and screenprints.

( includes hand numbered postcard artwork on raw 250g paper ) following up their first release, bare hands opt for rather eclectic soundscapes, yet keeping analogue roughness and a spontaneous feel in their focus.

beautiful advanced electronix tracks in the new testtoon release! oubyss sqm part ii is 1 half of the sqm album release split into two parts. part 1 saw the light in june 2014, and was equally stunning. stylistically on the same plan, sqm part ii again delves into abstracted melodic and harmonic grandiosity, counterpointed with integrated blurbs of noise and static.

we have the honnor to receive for the first time a producer who really bring his own way of doing techno today and influence many techno artists, dusty kid, with 3 pure techno killers, hot and dark power techno in the same time with a detroit feeling or sound we listen to at berghain.

axe on wax return with it s third release welcoming on board speakdeep, stefano esposito (luca tuccillo piano mix), ciro de gais & kidmark all supplying raw old school sounding house bombs essential for real house music lovers that play quality wax!

american intelligence is theos long awaited follow up to sound sculptures vol 1 and its truly sensational. huge tip! on this album theo fuses jazz & soul music with electronic production, making this album sound both futuristic and grounded in the past at the same time. contributions come from marcellus pittman, ideeyah & duminie deporres

365 million years ago a meteorite crashed with tremendous force in the middle of a land mass that much later would be called sweden, creating one of her largest lakes. the area around this lake, siljan, has always been an epicenter of swedish folklore, with many tales of beautiful but dangerous creatures of the ancient forests and deep vales. perhaps, then, it s no coincidence that the skies over siljan later became the focus of unexplainable sightings, or that small societies appeared, claiming strong indications of extraterrestrial activities on the bottom of the lake itself. the tales may change over time, but the mysterious lake remains the same. and now the time has come for a new tale from siljan. producer colleagues hans berg and johanna knutsson have spent long periods of time in a studio by this lake. feeling a bit like aliens themselves with their blinking and bleeping music machines, the label name ufo station recordings came naturally. little raver ep is the first release, and throughout the three tracks you can clearly sense the contrast between the scenic landscape and sounds inspired by space and alien technology: shimmering ethereal melodies over classic, very fulfilling drum machines. the melancholic singing of space whales over deep and bubbly analog basses. the little raver ep is a house music ufo destined to arouse wonder and astonishment on any dance floor.

sonofdistantearth finally releases his debut parachute ep, exploring a raw and textured blend of techno ideas drawing from the epic melodies of us contemporaries such as levon vincent whilst evoking the desk-crushing saturation of the very same east coast noise-techno scene.

jack vanzet is a melbourne-based multi-instrumentalist, producer and visual artist who records under the alias thrupence. his debut ep voyages was released independently on the thrupence bandcamp. he has played outsidein festival the same year alongside flume, shigeto, smoke dza to name a few, supported chet faker at revolt in melbourne, sold out his voyages ep launch at workers club in melbourne and played alongside oliver tank, mitzi, lost animal at melbourne music week. pressing on translucent blue, multi-color splattered 180 gram vinyl, download code included.

with all the negative media surrounding detroit and its inhabitants, this hard hitting ep from urs alone raises some disturbing issues about responsibility, commitment, faith and honesty from the very institutions that teach these same values. this is a sonic question!

limited nice price action
check your system for the first release. still have request on it? normal, the first one has been licensed and played by pete tong, laidback luke, joachim garraud, steve angello, and many more. this one will have the same destiny. mixed by cutee b. grab your copy.

white inlay reissue. tape only! eight electronic cuts from house and techno to electronica and ambient. c60 tape only release with special packaging and download-card enclosed. curated by phil latch mastered by zzzzra, artwork by alex ketzer, distributed by noorden.
!!achtung !!: kassette - das ist keine vinyl

legendary finnish electro pioneers mr velcro fastener return after a very long absence with this long-awaited and much-anticipated ep on cyber dance records. full of the same funked-out, quirky and fresh futuristic sounds that brought them instant recognition in the 90s electro underground the tku ep sounds like the innovative duo never went away, effortlessly picking up where they left off. brinkkala opens proceedings with their classic signature brand of detroit-meets-finland robotic funk jamming, while the next track bridge over nothing delivers harder and punchier rhythms deftly topped with layers of spaced-out chords and shimmering noises - and a relentless bassline that builds and progresses the grooves to alien dimensions of sheer electro brilliance. the sonic assault continues on side b with ologrammed , a pulsating monster of a track that pushes the velcro fastener sound into ethereal realms that evoke the likes of technasia or the hacker in their mid-90s heyday. the ep closes with johnny s wood , a funked-up, jazzed-out and upbeat adventure over-brimming with robotic positivity and electronic optimism. copies are limited of this essential purchase for die-hard electro connoisseurs everywhere, so don t be slow as they re sure to go!

at a time when the weekly flow of new albums, eps and mixtapes come to exceed the number of e-mails that pile up in our inbox, the dazzle in lokoms new double single is like the long anticipated rainfall season in a tropical country: nothing protrudes yet everything is present. totally melodic and surprisingly quiet despite its fabulous rhythmic complexity, good news from mars soothes like a perfect conversation in a sea of things left unsaid. at the same time dry, blazing and melancholic, blurred vision recalls the brooklyn duo team shadetek in their early 2000 years, when the two were still hesitating between ambient warpish glitch and grime jolts. when combined, both tracks offer a vision inspired by the union in 2014 of electronica and experimental dance: an infinity of possibilities where hope still exists. download card inside.

2021 ltd repress!, boris bunnik released his first full-length album, machine conspiracy, through the now defunct meanwhile label. delsin are re-issuing it along with love & hate, the ep that came at the same time and that features three tracks from the album

ten releases in and aficionado have firmly established themselves as the go to label for those seeking something soothing and sublime to raise their spirits or move their feet. now messrs moonboots & boardman turn the page on the next chapter in the nado story with the earthly delights of number 11. the wrapping has changed but the gift inside is the same, blissed-out beats and sumptuous melodies perfect for the dancers and the dreamers out there. for this latest release, our generous hosts invite a new star from the east to take us on a journey through textured sound and rhythmic pulse. a vision of panorama greet us shrouded in secrecy and the mist of the unknown, preferring to speak through music than idle words.

from the sun kissed shores of brazil and the wonderful starlit nights of the mareh festival comes a new label, mareh music. mareh festival was started by a small group of friends whos only aim was to escape the big city, take an amazing sound system to a remote and beautiful part of the country, and then party together with friends and great music. it has grown since into a week long annual event featuring international djs playing alongside talented residents, and still has the same commitment to real quality and fun. mareh music is born from the soundtrack to those parties, and is launched to mark the festivals tenth birthday. so you can expect to hear beach bar boogie, disco-tinged dance floor movers and deep electronic groovers.

the observer effect is a brainy and challenging record. recorded exclusively with gear, with all tracks arranged live, its tracks are pure explorations of the process of writing electronic music.

the very first release is by montreal based artist, stefny winter who emerges here with a wonderfully crafted tuned project. slightly stripped down but at the same time, providing a low end, fizzle bass, winter pushes hypnotic rhythms with a not so subtle smirk. a wink to audion, or a perlonesque aesthetic, this ep ensues a groovy moment as well as heartily groove.

the title track reveals a deeper and more contemplative mood for 2014, with a pensive piano loop, a dark-toned deep house swing, and a vocal sample that speaks to the experiences of the disenfranchised. chris lattner s remix of the same provides a punchier and more dramatic rhythm track for maximum impact and a more urgent effect. b-side production -morning poem- harnesses the power spoken dialogue again, with a big flter of distortion, and wispy, whirring deep tech sounds tha testablish a late night feel.

drums are rollin , chords evolve and the bass just sits there, right where it belongs - gorge is back! the label-head returns to 8bit with three new tracks to give your sets that extra spice of deep. although sharing the same vibe and quality, each production stands out on it’s own through individual elements and dynamic arrangements. azuka ep is a timeless clubbanger and perfect fit for any tech-djs collection, enjoy. supporter: anja schneider, sidney charles, mihai popoviciu, oliver koletzki, noir, daniel stefanik, felix da housecat, dubfire, reboot, sasha, jimpster, leon, richie hawtin, hot since 82, joseph capriati, matthias tanzmann, nick curly

mathematical rotes. a continuum none wishes to give up. deep bars, groove pads,diverse elements entering and modifying structures, feelings, situations. as if it could go on forever. the path is always the same: gently bumping.

here comes the broadwalk tales remix ep. after the very succesfull broadwalk tales ep and album by fluxion, we now release a remix ep. joey anderson did a remix of the track you dont know and rod modell aka deepchord did 2 versions of the track for you. its the first time joey anderson appears on echocord, and since we are a very big fan of his music this a big thing for us. the remix is a beautifull driving track full of energy, melodies, and power, perfect for the dancefloor, and a typical joey anderson treatment. rod modell aka deepchord did eps and remixes on echocord before, and we always likes what he do. 2 deep floating, almost underwater kind of heavy tracks, beautifull and raw, at the same time.

cdc is the next materialism signing. uk talents are now throwing a massive vinyl with amp ep filled of housey grooves!

simone gatto, with his second release on out-er holzwege ep, confirms his artistic maturity and his serene approach to music and life, even if on ones way the paths can get broken. due to a perfect use and combination of prophet 12, arturia minibrute, virus and x-base drum machine, the sounds transmit deep and pondering thoughts the artist has experienced, peaceful in some cases, troubling in others. each track represents a motion against the difficulties of life: happy and discouraging moments happen and alternate, our actions cause consequences, and everything have to be faced somehow. the synths are melodious, timid and gloomy at the same time, indicating that happenings arrive, interchange and pass over. the patterns are detroit inspired and the beats always soft and gentle, never impetuous, while ambient and pads go with the groovy wave created by kicks, hi hats and basses. a journey that has to be lived, any development it brings.

super disco edits has dug deep again and unearthed this killer un-issued crossover modern masterpiece from 1975. it is set to grace the decks of the soul lovers across europe and the states. the 45 comes with the same track on both sides and a 3 page insert as well, nice!

after making waves with early and idiosyncratic eps on labels like rush hour and astro:dynamics, singular uk talent bnjmn now steps up to make his debut on delsin with six tracks of experimental and inventive noise and techno. coil opens his account with screechy, unnerving synths squeals, imposing and throbbing pads and super deep kick drums that come at you from miles below. it s a hugely textured and spine tingling affair before the ambiance of berth comes rippled with glassy and alien little melodies. merge has turbo charged drums hiding beneath more unsettled synth based noise that sound sernee at the same time as being paranoid. on the flip, and suddenly makes your hairs stand on end with is gothic celestial glow and slithering synth patterns, blown is a damaged and degraded bit of icy, thumping and reverb heavy techno and azure ends on a brain soothing, chilled out ambient high. these are the sort of truly unique and magically textured tracks you would expect from a producer like bnjmn, and mark a fine debut on delsin.

life, death, energy, love, hope, danger, agony, peace, if i stop today it was still worth it. even the terrible mistakes, that i have made and would have unmade if i could, or that maybe i would just redo the same. the pains and thoughts that have burned me and scarred my soul, it was worth it for having been allowed to walk where i ve walked. which was to hell on earth, heaven on earth, back again, into, under, far in between, through it, in it, above and beyond it… i won t regret!

first spacemen 3 release in 10 years since live in europe 1989 - lp vinyl only - with silver cardboard sleeve, 500 copies - liner note by sonic boom - 29:12 version of suicide - recorded from the mixing desk - picture sleeve from the actual gig - 500 copies printed on shiny silver cardboard

this legendary 1994 double-pack on eightball has long been an object of desire for house music fanatics and vinyl junkies worldwide since it s original release. it has never been re-issued in it s entirety... until now... featuring classic tracks -making a living-, -young and free-, -all in the same family- and much more, -the african dream- captures the perfect essence of classic club music where disco and house music collide in the melting pot of nyc. an absolutely essential release from a classic era of nyc dance music that captures the deepness, rawness and soulful edge of the people who made it. timeless house sounds. one for the true connoisseur now made available again. a beautiful thing! -the african dream- has been lovingly re-mastered and re-pressed with the original full sleeve artwork intact in conjunction with eightball records

the new isolade release by dusty kid is a strictly sardinian affair (all involved artists are from sardinia) with tracks and remixes as varied as the island itself. in a playtime of 32 minutes you will experience magical, ambient, pushing, chilling or rough moments depending on the track/mix you hear. from the dancefloor hit *omega x* to the rough and dry version of the same track remixed by claudio prc and from the reduced but spheric hubble remix of *escape* to the gorgeous and epic saffron keira reinterpretation of *sandalyon*. if you cant make it to sardinia in the near future this is your alternative route for a short break.

nach diversen 12inch singles war es an der zeit, dass discotexas-mitbegruender xinobi endlich sein debuetalbum veröffentlicht. das werk stellt die breite der einflüsse des djs und produzenten vor. eingebettet in einen organischen house-sound mit disco bezug treten immer wieder vorlieben für pop hervor. die 54 minuten spielzeit sind homogen und vielfältig zugleich. es gibt intime, kontemplative momente aber auch eingängige refrains. rauheit a la caribou wird mit ennio-morricone-artigen sounds fusioniert. dj kozes fragmentartige deepness aus der kulisse des sonnigen lissabons heraus produziert. spaghetti-disco oder supermax in jamaikanischer dub-version. surf gitarre und deep house.

new yorker elliot taub graces this 8th kinfolk release with 3 trax of varying intesity. do that dance is an uptempo melodic bass and synth heavy dancefloor jam. thirteenth roll in a bakers dozen takes a slower spaced out route. 10 dollars conitnues in the same mode but this time with guitar and a super heavy synth line pushing the driving force along and finally soft rocks grab a hold of 10 dollars and turn it into a john carpenter-esque electro groover.

moscoman – dark horse ep – i m a cliche. after an lp by red axes and an ep by bot ox earlier this year, im a cliche is back in the saddle with a new look and a new feel while keeping the same great sound. two eps including this one are going to be released on both digital and vinyl formats this fall, leading up to very special 10th anniversary celebrations in paris towards the end of the year.

with very little music made available to the public lido established a cult following amongst the high profile djs that have been lucky enough to seure his unreleased remixes to play in their live set. these unreleased remixes - with their signature intro four notes acting as a craftsmen stamp (the same notes illustrated on the cover) - have led to numerous bootleg live recordings of the remixes giving an almost folklore-eque mythical quality to them

4 unreleased cuts by nail, echoing perhaps the more jacked-up moments of his --big d s lounge-- lp that was released on diy that same year. speaking from his tent pitched outside the oswestry service station goods entrance, he recalled, --i have no memory of making these tracks--. 300 on clear vinyl, no repress.

thomass jackson is a new entry in the gomma crew. and he fits perfect: his style? outsider house - or lets call it: sex house! this shit is soo damn funky and spartanic at the same time - you want to go straight to make babies! thomass is part of the new vibrant mexico city electronic scene.

it s only so long before liam geddes becomes a name you ll start hearing on the worldwide underground stage. having already churned out a number of uncompromisingly deep house tracks over the past couple of years, he comes armed with another exceptional ep on mil - the third release on the new music is love sister label - that further demonstrates his genuine dynamism as a producer. the with closed eyes ep should win this very talented producer the recognition his fresh beat work deserves into the wild gets proceedings underway, a ripping bassline paves out over rattling percussion shakes while oscillating dream like jingles play out during the course of the track. chopped vocal samples are introduced and tease against the shuffling drums which elevates the track with real drive and groove. close ya eyes for the journey packs the same layer of heat with its similarly groove-heavy bassline - a staple of geddes well-crafted sound. firmly footed, intermittent chimes seep into the track and are complemented by siren-like chords which grow truer in presence, until a hypnotic vocal snippet fulfils the deep terrains of the track. a saint is a tumultuous techno-fused roller with it s rip-roaring bassline and percussive loops which rhythmically swing out over shuddering pads, sustained chords and a cut up female vocal, brining a twist of colour to the arrangements of the track. there s a keen sense of tension and release, elevating this above your average and confirms geddes does depth and darkness with real conviction. broke will surely prove a high point for any decent dj set, and sounds like a cut you d expect from someone like delano smith. strings faintly play out over looped key chimes and a funk-like riff, while ticking hi-hats and a careful use of vocal sample gives the track extra heat, each element powered by the rumbling bassline.